
2024 Michelle Boisseau Prize Winner
Michael Martinec
February
It’s snowing in Texas.
I didn’t see snow
until I was twelve.
That too
was a confused
snowfall in June.
Were things wrong
even then, or
was it, as I assumed,
magic? Cecilia
is calling from
California. I tell her
I’ve been thinking
about temporality
in her poems. The clips,
breaks,
about doom,
the future, a bad fuck
and never, never
“making love.”
Couples only fuck,
gently or
ferociously, quietly
or with volume.
I tell her
everyone that speaks
through her, whispers
angrily, painfully –
Say to her, because
I must, I’m in love.
She tells me,
Darling, I’m in love.
Though not with
each other, but also,
yes, of course,
with each other.
It’s not snow
so much as ice
that beats
at the glass backdoors,
but nothing
sticks to the earth
where the warm
dirt soaks,
gathers the cold,
thaws it, melts
& consumes the ice
that covers love, or
wraps it
in metaphor
or aphorism,
meditation –
Poets know the earth
& sky fuck, & fuck
often, too often
one might think. Wrapped
in each other, blind
to the havoc
their love creates.
Who is Sada Abe
in this realm
of pure sensuality,
of water absorbed
in the dry earth?
Of water drowning
us? Will the ground
ever be soaked
again? I suppose
earth, sky, moon, sun,
all our creations,
these are Sada –
delicate humans, Ishida.
I recall Cecilia’s line,
the world will
always become
lovers.
She reminds me, I never
said those words.
But thank you
for thinking of me.

11.2