
Romeo Origun
In the Presence of Desire
What steadfast things make up a life?
The roots of the baobabs are joyful tonight,
and the stars, distant and forlorn strangers,
are looking through the windows
searching for companionship
or for the grittiness of love, that heat
that arises between two bodies.
I would know, I have always thought of you
as a river on fire. Once or twice, I imagined
you humming a tune by Etta James,
and I thought that you were a flute,
or a crane passing through water while singing
a fable, a song that had to do with love
in a broken-down country.
It has been years since I last saw you,
and what dreams I have are now fireflies
that only come out at night. I am still alive.
The island is still ringing out in the small dreams
of desire. I was born this way, first as a pilgrim
dedicated to movement, then as a man
who must wander through love. It is quiet
now, and what calls out to us, calls us
into the last light of the moon—that summoning
that begins from the silence of our bones,
and then finds its way into the dive bars
and forgotten corners of the world.
​
​
The Cinema of Lust
​​
Faded by time, the old pornography cinema
has fallen into disuse, and yet its billboards
still advertise The Paradise of Small Men, Naked Desire,
and The Small River that Flows Beside the Factory.
It was raining when I walked inside slowly
like a veteran who has come to visit the last cathedral
he saw before a bullet shattered his pelvis,
and underneath the rusted awning an old man
walked back and forth, muttering to himself,
there used to be men from here to the other block.
I, too, have arrived late to the house of passion.
The burgundy carpets were no more, the linoleum floor
was littered with gums and cigarette butts,
and all over the seats the souls of old men waited
for the cinema to go dark.
The screens came alive, and in the desire of men,
I considered the despair of their beauty,
their dreamlike death, something I have known
in that dark room where I once loved a man,
and when we were done, we walked outside,
going our separate ways.
In the fields, the scarecrows that were dried
and useless were chopped and burnt.
I was still watching the screens, and within me
a large fire raged through the dried husks, burning down
the house that once stood on the edge of my old life.
Romeo Oriogun is the author of Sacrament of Bodies, Nomad, and The Gathering of Bastards. A finalist for the 2021 Lambda Literary Award for Gay Poetry, and the 2023 National Book Critics Circle Award for Poetry, he is the winner of the 2022 Poetry Society of America's Alice Fay Di Castagnola Prize, the 2022 The Nigeria Prize for Literature, the 2023 Julie Suk Award, and the 2023 Nebraska Book Award for Poetry. A juror for the 2024 Neustadt International Prize for Literature, he currently serves as an Assistant Professor of English at Florida Atlantic University.

11.2