Danielle Pafunda
Fast by the wide and dismal gates of hell I slowmo consider my claws frontgold, base done jammed with vernal strife, even the equinox uneasy for diggers
Illustrious horned of bountiful mind when I approach the gates I become tall
a ship's mast announcing her own return sailors live sailors dead don't make a big deal
it's not the living whose starry petal parts thorn from stem until / until your face riven
my way of parting as gates when the last of life's blood hitches through as when
your mouth is warm and I cannot say if you like me or not, but you're there / my
horned god says go for it you're dying my tender bull-faced friend says my hymnal says
I should try / I cannot / tell if you like me if I'm laughing a mouthful of meteors
or
I'm curled up against Orion's indifferent sack of captures to be hunter or hunted is
nothing it's only the hunt that isn't already dead or trapped or covered in hide thus buried
in kill I am parted imperfect waiting for the gates to sluice waiting to get welcome in
the next room goes silent waiting / for guests are unpredictable and tilt the floorboards
tilt even this concrete slab the desert anchor every ship atop its wave holding still enough
and I loose my politics for a second veil of tears they loose from my palms pour back salt
wings no loft they catch the light even when I stand alone on the roof everyone gone
back to the sea or to bed the seabed bed down their sirens their salt furled lush / was he
pretty / yes / he was the god of disappearance god of lush mouth and heavy hand no one
could see him from the ground
or
I walked the road seaward for the feast I took my gold cuffs that keep my voice down I
combed the poison out of my lashes I lashed to my breast a plate of knitted hours so that
I might not / forget the way home I keep my daughter there but it isn't home I sing the easy
tide of doing and weaving but it isn't home I try to leave it sincere in the knowledge it
its anchor its contract with the sand its agreement to stay put under Jupiter and then
whoever follows Jupiter I send a couple texts to boost my spirits fuck me love me kmn
and then I'm so deep in the road fellow travelers mistake me for one of them I'm looking
tender for my tender friends who will recognize me in the concrete ecotone my bravado
welling with Orion's terse face sunk behind smog don't tell me it gets nicer when it's
already nicer than I'd imagined don't
or
don't tell me the stories of lonely femmes fucked by hidden gods their costumes hilarious
feathers sand waves breathing canvas a hot night what pours off a god's body so akin
to mine less taxed less commodity ruin here where beauty plays new notes on bad strings
she says pin you and I go pinned to time overlit highly visible traveling the road everyone
must travel but it can't take you back to the same time a month elapses how much
does the horned god want me to give it up and to whom I don't know what / it's worth
nothing I tell my daughter it's worth what it's worth to you and you cannot speak
that number it seems anchored to you and then drifts don't give it out / to men / I say
here's my number and call me if you need a place to stay on the road and have you met
Minotaurs have you noticed how cramped the hearts of centaurs have you seen by
the shoreline Griselda weeping or the seabird who guards the door to fair use have you
seen the arrangement of my / hands tipped up wrists bent in a mystic supplication
stillpulsing tip of Orion's idle sword I once expected it to be sharp but I know now it rends
with heat with hot deep presence with thoughts I cannot think on my own it rends by
stretching my interior into the exterior by rendering beauty beside its point. I give my
friends / whatever I have / and hope it is even a fraction / the grace they're due
my anchor shifts so slightly this belief that every day / must include pain
Danielle Pafunda is author of nine books including The Book of Scab (Ricochet Editions, November 2018), the forthcoming Beshrew (Dusie Press Books), The Dead Girls Speak in Unison (Bloof Books) and Natural History Rape Museum (Bloof Books). She is the 2018-19 Visiting Assistant Professor of creative writing at the University of Maine and sits on the VIDA: Women in Literary Arts Board of Directors.